Cinderella heard the clock strike twelve COLOR IMAGE

Cinderella heard the clock strike twelve FREE COLOR IMAGE - The next evening the two sisters went to the ball, and Cinderella also, who was still more splendidly dressed than before. Her enjoyment was even greater than at the first ball, and she was so occupied with the Prince’s tender sayings that she was not so quick in marking the progress of time.

To her alarm she heard the clock strike twelve. She fled from the ball-room; but in a moment the coach changed again to a pumpkin, the horses to mice, the coachman and postilion to rats, the footmen to lizards, and Cinderella’s beautiful dress to her old shabby clothes. In her haste she dropped one of her glass slippers, and reached home, out of breath, with none of her godmother’s fairy gifts but one glass slipper.

When her sisters arrived after the ball, they spoke in terms of rapture of the unknown Princess, and told Cinderella about the little glass slipper she had dropped, and how the Prince picked it up. It was evident to all the Court that the Prince was determined if possible, to find out the owner of the slipper; and a few days afterwards a royal herald proclaimed that the King’s son would marry her whose foot the glass slipper should be found exactly to fit.

This proclamation caused a great sensation. Ladies of all ranks were permitted to make a trial of the slipper; but it was of no use. Cinderella now said, “Let me try—perhaps it may fit me.” It slipped on in a moment. Great was the vexation of the two sisters at this; but what was their astonishment when Cinderella took the fellow slipper out of her pocket!

At that moment the godmother appeared, and touched Cinderella’s clothes with her wand. Her sisters then saw that she was the beautiful lady they had met at the ball, and, throwing themselves at her feet, craved her forgiveness.

Author: Edward Dalziel, 1817-1905; George Dalziel, 1815-1902. Subject: Conduct of life Publisher: London ; New York : George Routledge and Sons. Year: 1865. Possible copyright status: NOT_IN_COPYRIGHT, Language: English, Call number: srlf_ucla:LAGE-1008122. Digitizing sponsor: msn. Book contributor: University of California Libraries. Collection: cdl; yrlsc; iacl; americana.

This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF. Works published before 1923, in this case 1865, are now in the public domain.

This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case Edward Dalziel, 1817-1905; George Dalziel, 1815-1902, and that most commonly runs for a period of 50 to 70 years from the last day of that year. +sookie tex

TEXT and IMAGE CREDIT: CINDERELLA: OR, THE LITTLE GLASS SLIPPER.

Der Schalcksnarr the jester the fool COLOR IMAGE

Der Schalcksnarr the jester the fool COLOR FREE IMAGE: Heinrich Vogtherr the Younger (1513 - 1568), Der Schalcksnarr, the jester, woodcut (hissai), Augsburg around 1540, the Castle Gotha Museum

About his youth nothing is known. His father, Henry Vogt Lord (the elder) was a painter, draftsman, engraver, etcher, printer, publisher, author, song writer and an ophthalmologist. In 1525 the young Mr. Vogt came with his father to Strasbourg , and was probably trained by this artistically and technically. As an assistant he was at his side for several years and worked with 1537/1538 to its successful "art book". About 1540 he settled as a painter and engraver in Augsburg down,the birthplace of his wife Sybilla Steinmaier.

This connection came from seven sons and five daughters. Together with Hans the Younger Burgkmair he worked at the "Augsburg Book of Genealogy", and the engraved title of this work (the emblem of the city of Augsburg) comes from him. Like other Augsburg artists, he was also in the service of the Fugger and worked on behalf of monumental frescoes that adorn many buildings were in Augsburg.

This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF. Works published before 1923, in this case 1540 ca., are now in the public domain.

This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case Heinrich Vogtherr the Younger (1513 - 1568), and that most commonly runs for a period of 50 to 70 years from the last day of that year. +sookie tex

Unedited Image Heinrich Vogtherr d. J. Schalksnarr.JPG

TEXT RESOURCE: Heinrich Vogtherr der Jüngere